“Mary Lyn Graves begins the dance sloppily sneaking around the orchestra pit in a black hoodie and later transitions into more virtuosic sequencing... her performing body is able to move between these identities swiftly and even comically.”

“Graves and Gallegos had a litheness... and their unison movement emphasized physical rituals... creating meaning beyond the action itself.”

“Mary Lyn Graves is a highlight of Ririe-Woodbury’s staging of “Mechanical Organ.” Quick and crisp, elegant and elongated, Graves’ performance of the doll-like solo was a perfect balancing act of precise attack and languid release.”

“[Graves’] dancing was also exquisite throughout the performance”

“The most intriguing section was Mary Lyn Graves’ solo appearance in Doll With A Broken Head”

“Gallegos and Graves dance at gleeful cross-purposes and inevitable agreement in “Two Not Yet Together.””

“Graves had a great solo that started off with frantic steps, wildly off balance, then morphed into a deliciously suspended, off-kilter arabesque.”

“...the trio of dancers – Mary Lyn Graves, Dan Mont-Eton and Megan McCarthy (on closing night) – was mesmerizing.”